Henry Louis Gates, Jr.'s original, groundbreaking study explores the relationship between the African and African-American vernacular traditions and black literature, elaborating a new critical approach located within this tradition that allows the black voice to speak for itself. Examining the ancient poetry and myths found in African, Latin American, and Caribbean culture, and particularly the Yoruba trickster figure of Esu-Elegbara and the Signifying Monkey whose myths help articulate the black tradition's theory of its literature, Gates uncovers a unique system for interpretation and a powerful vernacular tradition that black slaves brought with them to the New World
Includes bibliographical references (pages 259-280) and index
A myth of origins: Esu-elegbara and the signifying monkey -- The signifying monkey and the language of signifying: Rhetorical difference and the orders of meaning -- Figures of signification -- Thr trope of the talking book -- Zora Neale Hurston and the speakerly text -- On "the blackness of blackness": Ishmael Reed and a critique of the sign -- Color me Zora: Alice Walker's (re)writing of the speakerly text